To me,
my engraving ‘Christ appears in the Factory’ is a sort of modern day Hogarthian
work and formed a major milestone in my life. It was inspired by Stanley
Spencer’s unfinished painting ‘Christ preaching at Cookham Regatta’, measures
17½ x 11½ ins and took me 3 years to complete. This is my largest detailed
engraving and was cut during my time as an industrial engraver, working at
Purnell’s Printing Works in
On the
plate, I used my beloved Victorian Rubin burins, handed down to me by my
journeyman who had received them from his father. I remember pulling over 20
progressive proofs (full of pencil marginalia) on my 36 x 18 inch Harry Rochat
press for which I had saved up by working overtime and night shifts. The press sat, shakily, in
the bathroom/toilet of a tiny weaver’s cottage in the middle of Frome,
Wearing my work smock, I used to visit a Frome photographer where I would pose and pull suitable facial expressions for photographs which I would later copy onto the plate, also altering my hairstyle and adding a tattoo to my arm. As well as these distorted portraits, the image depicted fellow workers, real and imaginary, and also my father who sadly died before the work was completed. I dedicated the work to him, a printworker for 45 years.
£800.00